Park Road Post Production


“It’s not a question of the negative being damaged,” Burdick says. “But back on the set, maybe you picked the shot that had the most spectacular performance, but the focus puller was a bit off, so it’s a bit soft. There could be a million reasons why it’s not perfect. So now there’s an opportunity to just go in and improve it.”

The executive admits that the restorers must feather the tool as “cracking the knob all the way will make it look like garbage.” But adds that “if we can make it look a little better, we might as well.”

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