Michael Glover

"It is a collection of these shelter drawings, dating from 1940 and 1941, that are on display at the Courtauld. 

"Moore’s underground shelters show us humanity in the raw, as strangers live hugger mugger with other strangers —his models were often impoverished immigrants whose lives had been shredded by grief, despair, fear. 

"And these drawings are all the stronger, and all the more affectingly poignant (how often has that ever been said of a Moore sculpture?), for the drama of their physical context: the great brick walls that hem them in; the eerie, barrel-like tunnels that so often seem to resemble the arching of human ribs. 


"After he and his wife, Irina, had taken cover in the Belsize Park Underground Station, close to their home, on the night of September 11, 1940, he wrote: I saw hundreds of Henry Moore reclining figures stretched along the platforms… even the train tunnels seemed to be like the holes in my sculptures."





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